These wonderful American composers allow our musical heritage to live on and continue to develop from our rich and diverse roots.
Alicia Bachorik Armstrong is composing two new songs for the Of Thee I Sing Women's Suffrage concert. She is a composer who savors beauty as a gift from her Creator and finds the sublime in art, nature, and everyday experiences while attempting to create music that others can enjoy in a similar fashion. Her choral and chamber works have been performed both in the USA and in her second home of the Philippines.
An early love of reading and theatre has grown into a desire to connect language and storytelling to her compositions. In past years this has been manifested in several choral and vocal works as well as in instrumental works based on poetry, such her song cycle How Do I Love Thee?, featuring texts by American women. She is fond of taking familiar ideas and sounds and tweaking them slightly into something unexpected.
In the past three years, her music has been performed by the Charlotte Symphony, Attacca String Quartet, soprano Lindsay Kesselman, and the University of North Carolina School of the Arts Wind Ensemble and Orchestra. In 2017, she was commissioned by the Wachovia Winds Youth Wind Ensemble to write a new piece celebrating the group’s Moravian heritage.
When she’s not composing, Alicia enjoys making the perfect cup of tea, thrift shopping, watching crime dramas, and being dragged to the gym by her husband Will. She received a master’s degree in composition from the University of North Carolina School of the Arts in 2018 where she studied with Lawrence Dillon.
Visit Alicia's website for additional information and audio samples.
Jessica Buford is composing two new songs for the Of Thee I Sing Women's Suffrage concert. She a composer and author whose dual fascinations with musical and verbal language have competed for attention since she was eight. Her debut novel, In the Minds of Chameleons, fulfilled the 2013 National Novel Writing Month challenge, the 50,000+ word manuscript being penned in 30 days. After receiving a Masters in The Teaching of English as a Second Language and Applied Linguistics at Winston-Salem State University, she resigned to abandoning language in favor of music, only to recognize her true belief- that both sound and word are meant for communication, and that each beautifies the other.
She has studied film composition with Two-time Emmy-award winning composer Hummie Mann at the Pacific Northwest Film Composition Summer Intensive and received grants to participate in both this and the Siena Summer Music festival. In addition to written language, she draws inspiration from Jazz, R&B, and Gospel, particularly her roots in southern West Virginia. Beginning by composing for fun while studying English at West Virginia University, she started formal training in composition with her time in the University of North Carolina School of the Arts, where she studied with Kenneth Frazelle.
Upon graduation from UNCSA, she relocated to Urbana, Illinois to continue her education in Musicology at the University of Illinois at Urbana-Champaign. Among her research foci are black sacred music and the intersection of verbal and musical language. She continues to study composition with Dr. Carlos Carrillo. She also relishes train rides in which she can watch the august landscapes of her home state.
Audrey and Ron have been musical colleagues and good friends for many years, during which time Audrey has had the pleasure of performing and recording Ron's vocal works, especially Songs of Sac Prairie and the song 'Red Dress,' which has been dedicated to her.
After premiering Songs of Sac Prairie at the Walden West Festival in 2011, a professional recording of the work with Audrey, Ron, and Metropolitan Opera Bass-Baritone William Powers, along with Ron's additional songs and solo piano pieces, was supported by both the Sanfilippo Foundation and the Illinois Council for the Arts in 2018. This recording is currently nominated for the Erst Bacon Award through The American Prize, and will soon be released through the classical label Centaur Records. The orchestral premiere of Songs of Sac Prairie took place in February of 2020.
With a style that is at once undeniably American and uniquely his own, Chicago composer Ronald William Hill is a favorite among performers and audiences alike. Mr. Hill’s oeuvre includes choral and symphonic works, pieces for solo piano, and art song. The song cycle, Songs of Sac Prairie, is his magnum opus and features poetry by Wisconsin’s most prolific writer, August Derleth.
Mr. Hill is known for his poignant writing and sensitivity to both the setting of text and the singing voice, thus his work has been championed by established international artists who find his music “stunning, stimulating,” and “a joy to sing.” Performances of his work have been featured by award-winning soloists and ensembles across the United States — particularly at the Walden West Festival in Wisconsin, the Phillips in Washington, D.C., and on WFMT Chicago’s Jewel Box concert series—as well as throughout Europe. Mr. Hill’s work has also been honored with special recognition and sponsorship by the Illinois Council of the Arts.